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Contessa-Nettel Deckrullo Stereo
Tropical A circa 1921 camera manufactured by Contessa-Nettel using the original
Nettel design. An absolutely
beautiful camera by design and function, it is superbly crafted from the
finest of materials. The “tropical” version combines teak wood, leather,
brass and nickel plated parts that are very resistant to rust and very
durable in humid climates. In
addition to an elaborate shutter/exposure mechanism, the camera takes both stereo
and panoramic photographs |
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Specifications: -
Teak Body s/n S40XX -
Leather bellows with folding strut -
Metal parts – brass nickel plated brass or brass
painted black enamel -
Two Carl Zeiss Jena Tessar Lenses - 12cm, f/4.5 (f4.5, 6.3, 9, 12, 18, 25
& 36) s/n # 4352XX & 4352XX -
Vertical shift + 5 mm -
Horizontal shift + 5mm -
Deckrullo Shutter – Cloth focal plane shutter
with two speed ranges, plus time “Z”. Roller blind shutter mechanism made by
FW Deckel – hence the name “Deckrullo” Slow speeds – 1/10,
1/15, 1/20, 1/25, 1/35, 1/50, 1/100 Fast speeds – 1/120,
1/180, 1/250, 1/500, 1/1200 -
Size – closed 19 cm (7.5 in) W x 11.3 cm (4.5
in.) H x 7.8 cm (3 in.) D – 12.5 cm (5.25 in) deep when opened and focused at
infinity. -
Film format -
6 x 13 producing – two 6 x 6.25 cm images on the same plate or one 6 x
12.5 cm image -
Weight – 1360 g. (3 lbs) – without film holder |
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Legend |
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Focusing Hood open for viewing ground glass. This is the more accurate
means to frame and focus. However, the wireframe viewfinder could also be
used for framing the subject once focusing is complete and the film holder is
in place. |
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Removing the back (and ground glass) to allow for insertion of a film
holder |
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Glass plate film holder in place with darkslide removed |
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Left – Wire frame adjusted for stereo photos (only the center portion
is used for framing the subject). Right – Wire frame adjusted for panoramic
view. |
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Removal of the wireframe viewfinder is accomplished by pushing in on
the center mount of the wire frame and then pushing to the left. The photo on
the right shows the spring on the mount and the two locating key holes on the
lensboard |
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Top view of camera with close up of focusing scale (printed in
meters). When the bellows is opened a small catch, attached to the end on one
of the metal bellows arms engages with the distance indicator. As the camera
is focused the scissor struts moves the lensboard forward or back while
moving the focusing indicator from side to side. The red arrow points to a push button release. When pressed the
catch releases and allows the bellows to collapse. |
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Located on the right side of the camera is the shutter speed control.
The upper dial sets the shutter speed while the lower dial selects the speed
range. With the lower dial set to 1 of
the 2 speed zones, the outside ring on the upper dial is depressed and
rotated until the indicator mark is positioned next to the desired shutter
speed (in this case 1/50 sec is selected). The no. 2 speed range is slow
speeds and the no.1 speed range is high speeds. Z is for time exposure. After the speed dial is set, the winder
key on the top dial is turned clockwise until it reaches a full stop. At this
point the shutter is cocked and ready to be fired. Inside the camera there
are two sets of shutter curtains that ride up and down on two narrow ribbon
tapes located on either side of the curtains. The position of the dial
determines how far apart the two curtains will be when the knob is turned to
cock the shutter. The smaller the
horizontal slit between the two curtains, the faster the exposure will be.
The two speed ranges are controlled by an ingenious gear train. By turning
the lower knob the slower speed range engages a second set of gears that
creates the second speed range. The shutter mechanism travels at the same
speed for all of the times in any one speed range with the curtain slit width
determining the speed. The tension for the entire shutter mechanism is
provided by a roller blind spring hidden inside the lower shutter curtain
reel. This same type of mechanism was used in the Zeiss Contax 35 mm cameras. |
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In order to focus with the shutter wide open, a small button located
on the bottom of the back is pressed while the upper timer knob is turned. A
small lever engages a slot in the lower shutter curtain holding it in the
down position. The upper curtain then is wound to the wide open position and
viewing and focusing takes place. The curtain is shown here at the mid point
in order to show the slot in the curtain frame. The ground glass back has
also been removed. |
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A very ingenious feature of this camera is the ability to convert from
stereo to panoramic. The conversion is accomplished in just a few minutes.
First remove the bar between the two lenses. Next, remove the right hand lens
(mounted on its own mini metal lensboard), rotate 180 degrees and reinsert
into the wooden lensboard. This places the lens in an almost central
position. Shifting the entire wooden lens board slightly completes the centering.
Finally, place a lens cap over the fixed lens and you are half way there. The
rest of the conversion takes place at the back of the camera. |
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This is a glass plate film holder with the dark slide removed. Note
the arched spring in the center used to place forward pressure on the back of
the glass plate and hold the plate in firm register. |
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In the dark the glass plate is inserted under a lip on the left side
and then pushed down flush with the frame before two small tabs on the right
side are rotated to hold the plate in place. |
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The loaded film holder ready for insertion of the dark slide. Although
glass plates are no longer available one can use the glass plate as a
template and cut a piece of sheet film to fit. It is then necessary to set
the sheet of film on the glass plate prior to insertion in the film holder.
The spring behind the plate holds the sandwiched film nicely in place. |
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The film holders are precision made from teak wood with nickel plated
brass hardware. Triangular metal corners inserts on the opposite add strength
and rigidity to the whole assembly. |
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The Carl Zeiss Jenna lenses used are of the Tessar design. The last 4
serial numbers on the front lens element are engraved on the back lens
element to provide a matching set. |
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These particular lenses are very easy to take apart for cleaning. No
tools required. Simply unscrew the front element to expose the inside
surface. |
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The back assembly unscrews in a similar fashion. The assembly can be
completely dismantled by gently turning the bezel (green arrow). Be careful
of the black paint on the rim of the glass (yellow arrow). It will chip off
very easily and if that happens it is important to replace the paint in order
to restore the proper optical properties of the lens (the paint absorbs
internal reflections). |
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Original handmade carrying case for the Contessa. The excellent
condition of the camera owes itself to the years of proper protection. Too
bad today’s cameras are sold without cases. |
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Exposure Chart (with translation)
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Page from a Nettel catalogue showing the Model A Stereo 5 x 7 cm
format |